Often these techniques can be used as part of a much larger retouching workflow. This isn’t to say that they don’t have their uses. By actively knowing about them, you will be able to save time later when you come across a tool you previously weren’t familiar with. Also, some of them (like the Grayscale method) are among the few clearly labeled in Photoshop as black and white conversions. I can already hear you asking “If they’re so bad, why are they in this article?” They are here so that you will be aware of them, and know to avoid them. The first four black and white conversion techniques are very basic, and will not lead to good results in most instances. While others take a few minutes, they offer absolute control over every aspect of the tonality of your photographs. Some of these methods work at the press of a button. By following along with your own images, you will be able to quickly develop an understanding of the many tools available. In this tutorial, we’ll work through nine different methods for black and white conversions in Photoshop. While one tool may provide perfect results, another image from the same shoot might require the use of an entirely different tool for the best results. No two images are alike, and every image requires its own treatment. However, it is important to know and understand as many of the tools as possible. Others are very powerful, yet won’t work well in every instance. Some of them are quite useless, and should be avoided. Photoshop alone has many methods to create black and white conversions. These tools, however, are many, and can be confusing if you’re approaching Photoshop (or any post-processing tool) for the first time. The tools to create it are the same either way. With digital photography, it doesn’t matter whether you come to black and white from a stance of nostalgia, or approach it as a tool for visual storytelling. On another level, black and white photographs can be reminiscent of a time gone by, one of film canisters and darkroom chemicals. It can help you to create evocative and dramatic images, that concentrate on the forms and shapes of a subject as a whole. On one hand, black and white conversion removes the distraction of color from an image. If you’re one of the many photographers who adore it, you know why that is the case. For instance, you can use the Marquee Tool to select the part of the image to be desaturated (grayscale) while leaving the rest of the image in color (or whatever the original was).Black and white photography is as popular as ever. One advantage of the Desaturate command is the ability to perform this command on a specific area of the image. Use the keyboard shortcut: "Shift+Ctrl+U" to Desaturate the image.Choose Image > Adjustments > Desaturate or.When you desaturate an entire image you remove the color and create a grayscale image. Photoshop converts the colors in the image to black, white, and shades of gray.Ī color image is considered saturated with color. When asked if you want to discard color info, click OK.Citation Citationīelow are Methods for creating a grayscale image. In Adobe Photoshop CS4 and above there is an automated process for this, using other editing software a Black and White image must first be made for each color channel (RGB) and layered together to form a true B&W photograph. In order to convert a color digital image to Black and White each color channel (red, blue and green) Must be converted individually. A Black and White photograph is not a grayscale photograph, or a desaturated photograph.
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